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Cinema at APT
# of Tickets
FILM
February 12th and 13th

BRIGHT STAR

Add Jane Campion's rich, sensuous, quietly thrilling Bright Star to the very short list of admirable films about writers. In this case the writer is John Keats (Ben Whishaw), the Romantic poet who died at age 25 believing himself a failure. The movie, set during his last several years, focuses on his playful friendship with and evolving love for Fanny Brawne (Abbie Cornish), the independent-minded young woman who lived next door in Hampstead Village and was, in her own fashion, an artistic spirit. Completing an ineffably fraught constellation--not exactly a romantic triangle--is Keats's host Charles Armitage Brown (Paul Schneider), who loves, esteems, and regards Keats with both pride and envy, and engages in an unstated rivalry for Fanny. All three performances are superb. As in Campion's The Piano, others are party to the central story, and they have identities, personalities, and claims to intelligence and understanding that we appreciate without having it announced in dialogue. Bright Star is the rare period movie to convey--without being insistent--what it was like to be alive in another era, the nature of houses and rooms and how people occupied them, the way windows linked spaces and enlarged people's lives and experiences, how fires warmed as the milky English sunlight did not. And always there is an aliveness to place and weather, the creak of boardwalk underfoot and the wind rustling the reeds as lovers walk through a wetland. Poetry grows from such things; at least, Jane Campion's does.
February 19th and 20th

SOUNDTRACK FOR A REVOLUTION

Soundtrack For A Revolution tells the story
of the American civil rights movement through its powerful music - the freedom songs protesters sang on picket lines, in mass meetings, in paddy wagons,
and in jail cells as they fought for justice and equality. The film features new performances of the freedom
songs by top artists, including John Legend, Joss Stone, Wyclef Jean, and The Roots; riveting archival footage; and interviews with civil rights foot soldiers
and leaders, including Congressman John Lewis, Harry Belafonte, Julian Bond, and Ambassador Andrew Young. The freedom songs evolved from  slave chants, from the labor movement, and especially  from the black church. The music enabled blacks to sing words they could not say, and it was crucial in helping the protesters as they faced down brutal aggression with
dignity and non-violence. The infectious energy of the songs swept people up and empowered them to fight for their rights.
February 26th and 27th

AFGHAN STAR

After 30 years of war and Taliban rule, pop culture has returned to Afghanistan. Millions are watching Afghan Star - a Pop Idol-style TV series in which people from across the country compete for a cash prize and record deal. 2000 people audition, including three brave women. The viewers vote for their favorite singers by mobile phone and for many this is their first encounter with democracy. This timely and inspired film follows the moving stories of four young contestants looking for a new life. But their journeys take a terrifying turn as one young woman dances on stage, threatening her own safety and the future of the show itself. In Afghanistan you risk your life to sing.
2009 Sundance Awards:
Best World Cinema Documentary Director & World Cinema Documentary Audience Award
March 5th and 6th

DEPARTURES

Departures is surely the gentlest, sweetest movie about death that you will ever see. A cellist named Diago (Masahiro Motoki) comes to the rueful conclusion that he’s not talented enough to make a career as a musician; having just returned to his hometown with his wife Mika (Ryoko Hirosue, Wasabi), he answers a job ad for what he thinks must be a travel agency... only to discover that company prepares bodies to be placed in coffins. Fearful of his wife’s response, he hides his new job--but as he grows to appreciate his boss (Tsutomu Yamazaki, Tampopo) and the affect that the humbling ceremony of cleaning and dressing the deceased has on their families, Diago discovers that he might have a calling. Departures won the 2009 Academy Award for Best Foreign Language Film, and it’s easy to understand why. Though it starts out quietly and even seems slight, it gradually builds in emotional power, layer by layer, until scene after scene at the end is richly moving. Particularly affecting is the performance of Kimiko Yo, the secretary of the company, who harbors a troubling secret. A few moments of overt symbolism push the movie from compassion to sentimentality--but every time Departures seems to have lost its footing, a scene follows that strikes all the right notes so deftly it resonates like a bell. A truly marvelous movie.
They Came to Play March 12th and 13th

THEY CAME TO PLAY
directed by Alex Rotaru:

THEY CAME TO PLAY chronicles the Fifth International Piano Competition for Outstanding Amateurs, hosted by The Van Cliburn Foundation. Players from all over the world, ranging from self-taught to classically-trained, aged thirty-five to almost eighty, convene in Fort Worth, Texas for a week of intense competition, music and camaraderie. The film the film provides an intimate look into the lives of these colorful, multi-faceted competitors as they strive to balance the demands of work and family with their love of music. Years of dedicated preparation culminate in critical performances before a professional jury and discerning audience during three nerve-wracking elimination rounds.

Running Time: 91 Minutes
http://www.theycametoplay.com
The Most Dangerous Man in America March 19th and 20th

THE MOST DANGEROUS MAN IN AMERICA

2010 Academy Award Nominee

The story of what happens when a former Pentagon insider, armed only with his conscience, steadfast determination, and a file cabinet full of classified documents, decides to challenge an "Imperial" Presidency-answerable to neither Congress, the press, nor the people-in order to help end the Vietnam War. In 1971, Daniel Ellsberg shook America to its foundations when he smuggled a top-secret Pentagon study to the New York Times that showed how five Presidents consistently lied to the American people about the Vietnam War that was killing millions and tearing America apart. President Nixon's National Security Advisor Henry Kissinger called Ellsberg "the most dangerous man in America," who "had to be stopped at all costs." But Ellsberg wasn't stopped. Facing 115 years in prison on espionage and conspiracy charges, he fought back. Ensuing events surrounding the so-called Pentagon Papers led directly to Watergate and the downfall of President Nixon, and hastened the end of the Vietnam War. Ellsberg's relentless telling of truth to power, which exposed the secret deeds of an "Imperial Presidency," inspired Americans of all walks of life to forever question the previously-unchallenged pronouncements of its leaders. "The Most Dangerous Man in America" tells the inside story, for the first time on film, of this pivotal event that changed history and transformed our nation's political discourse.