Add Jane Campion's rich, sensuous, quietly thrilling Bright Star to
the very short list of admirable films about writers. In this case
the writer is John Keats (Ben Whishaw), the Romantic poet who died
at age 25 believing himself a failure. The movie, set during his
last several years, focuses on his playful friendship with and
evolving love for Fanny Brawne (Abbie Cornish), the
independent-minded young woman who lived next door in Hampstead
Village and was, in her own fashion, an artistic spirit. Completing
an ineffably fraught constellation--not exactly a romantic
triangle--is Keats's host Charles Armitage Brown (Paul Schneider),
who loves, esteems, and regards Keats with both pride and envy, and
engages in an unstated rivalry for Fanny. All three performances are
superb. As in Campion's The Piano, others are party to the central
story, and they have identities, personalities, and claims to
intelligence and understanding that we appreciate without having it
announced in dialogue. Bright Star is the rare period movie to
convey--without being insistent--what it was like to be alive in
another era, the nature of houses and rooms and how people occupied
them, the way windows linked spaces and enlarged people's lives and
experiences, how fires warmed as the milky English sunlight did not.
And always there is an aliveness to place and weather, the creak of
boardwalk underfoot and the wind rustling the reeds as lovers walk
through a wetland. Poetry grows from such things; at least, Jane
Campion's does.
February 19th and 20th
SOUNDTRACK FOR A REVOLUTION
Soundtrack For A Revolution tells the story
of the American civil rights movement through its powerful music -
the freedom songs protesters sang on picket lines, in mass meetings,
in paddy wagons,
and in jail cells as they fought for justice and equality. The film
features new performances of the freedom
songs by top artists, including John Legend, Joss Stone, Wyclef
Jean, and The Roots; riveting archival footage; and interviews with
civil rights foot soldiers
and leaders, including Congressman John Lewis, Harry Belafonte,
Julian Bond, and Ambassador Andrew Young. The freedom songs evolved
from slave chants, from the labor movement, and especially
from the black church. The music enabled blacks to sing words they
could not say, and it was crucial in helping the protesters as they
faced down brutal aggression with
dignity and non-violence. The infectious energy of the songs swept
people up and empowered them to fight for their rights.
February 26th and 27th
AFGHAN STAR
After 30 years of war and Taliban rule, pop culture has returned to
Afghanistan. Millions are watching Afghan Star - a Pop Idol-style TV
series in which people from across the country compete for a cash
prize and record deal. 2000 people audition, including three brave
women. The viewers vote for their favorite singers by mobile phone
and for many this is their first encounter with democracy. This
timely and inspired film follows the moving stories of four young
contestants looking for a new life. But their journeys take a
terrifying turn as one young woman dances on stage, threatening her
own safety and the future of the show itself. In Afghanistan you
risk your life to sing.
2009 Sundance Awards:
Best World Cinema Documentary Director &
World Cinema Documentary Audience Award
March 5th and 6th
DEPARTURES
Departures is surely the gentlest, sweetest movie about death that
you will ever see. A cellist named Diago (Masahiro Motoki) comes to
the rueful conclusion that he’s not talented enough to make a career
as a musician; having just returned to his hometown with his wife
Mika (Ryoko Hirosue, Wasabi), he answers a job ad for what he thinks
must be a travel agency... only to discover that company prepares
bodies to be placed in coffins. Fearful of his wife’s response, he
hides his new job--but as he grows to appreciate his boss (Tsutomu
Yamazaki, Tampopo) and the affect that the humbling ceremony of
cleaning and dressing the deceased has on their families, Diago
discovers that he might have a calling. Departures won the 2009
Academy Award for Best Foreign Language Film, and it’s easy to
understand why. Though it starts out quietly and even seems slight,
it gradually builds in emotional power, layer by layer, until scene
after scene at the end is richly moving. Particularly affecting is
the performance of Kimiko Yo, the secretary of the company, who
harbors a troubling secret. A few moments of overt symbolism push
the movie from compassion to sentimentality--but every time
Departures seems to have lost its footing, a scene follows that
strikes all the right notes so deftly it resonates like a bell. A
truly marvelous movie.
March 12th and 13th
THEY CAME TO PLAY
directed by Alex Rotaru:
THEY CAME TO PLAY chronicles the Fifth International Piano
Competition for Outstanding Amateurs, hosted by The Van Cliburn
Foundation. Players from all over the world, ranging from
self-taught to classically-trained, aged thirty-five to almost
eighty, convene in Fort Worth, Texas for a week of intense
competition, music and camaraderie. The film the film provides an
intimate look into the lives of these colorful, multi-faceted
competitors as they strive to balance the demands of work and family
with their love of music. Years of dedicated preparation culminate
in critical performances before a professional jury and discerning
audience during three nerve-wracking elimination rounds.
The story of what happens when a former Pentagon insider, armed only
with his conscience, steadfast determination, and a file cabinet
full of classified documents, decides to challenge an "Imperial"
Presidency-answerable to neither Congress, the press, nor the
people-in order to help end the Vietnam War. In 1971, Daniel
Ellsberg shook America to its foundations when he smuggled a
top-secret Pentagon study to the New York Times that showed how five
Presidents consistently lied to the American people about the
Vietnam War that was killing millions and tearing America apart.
President Nixon's National Security Advisor Henry Kissinger called
Ellsberg "the most dangerous man in America," who "had to be stopped
at all costs." But Ellsberg wasn't stopped. Facing 115 years in
prison on espionage and conspiracy charges, he fought back. Ensuing
events surrounding the so-called Pentagon Papers led directly to
Watergate and the downfall of President Nixon, and hastened the end
of the Vietnam War. Ellsberg's relentless telling of truth to power,
which exposed the secret deeds of an "Imperial Presidency," inspired
Americans of all walks of life to forever question the
previously-unchallenged pronouncements of its leaders. "The Most
Dangerous Man in America" tells the inside story, for the first time
on film, of this pivotal event that changed history and transformed
our nation's political discourse.